Thursday, February 28, 2008
NMD 430 Lecture 6 Narrative Temporality
Please each parts one through four on temporality and narrative, Post your initial response then as usual wait and post a follow up response to a post from someone else.
Saturday, February 23, 2008
NMD 430 Please post comments on Lecture 5
"At Home," with John Phillips
John Phillips, is an artist and professor living in Philadelphia, best put he is an "sound and vision," artist (in my own words). He has worked extensively with sound as a medium and in multimedia looking at intersections and "collaborations" between sound and vision (again my own words). His work spans the spectrum from live musical and video performance to complex multi channel audio and video installations. His work has been well received on an international level form China to San Francisco and he has been a resident artist at the Experimental Television Center in Oswego New York.
(Still on this page: from a video performance with perpetual mvmt<>snd at Mascher Dance Coop , Philadelphia, PA)
LINK to John's website
http://terragizmo.net/
LINK to Experimental Television Center
http://www.experimentaltvcenter.org/
John Phillips, is an artist and professor living in Philadelphia, best put he is an "sound and vision," artist (in my own words). He has worked extensively with sound as a medium and in multimedia looking at intersections and "collaborations" between sound and vision (again my own words). His work spans the spectrum from live musical and video performance to complex multi channel audio and video installations. His work has been well received on an international level form China to San Francisco and he has been a resident artist at the Experimental Television Center in Oswego New York.
(Still on this page: from a video performance with perpetual mvmt<>snd at Mascher Dance Coop , Philadelphia, PA)
LINK to John's website
http://terragizmo.net/
LINK to Experimental Television Center
http://www.experimentaltvcenter.org/
Saturday, February 16, 2008
NMD 403 Lecture 4 Simulation Narrative and Montage
We know the difference between fantasy and reality, don't we? How does montage function as as a tool in time-based media. Can the use of montage blur the lines between the real and the imagined? Please respond to last weeks lecture.
Friday, February 8, 2008
The Simularca Hyper-reality and Simulation
On Thursday kenneth Feinstein Professor of interactivity from Nangyang Technical University's Art Design and Media Department participated in the critique of student work (for those present online) and held a discussion on Jean Baudrillard. I feel that this was one of our most successful classes so far as we are becoming more and more comfortable using technology that while good and extensive is not really designed for the uses we are doing. Yet in pushing it to the limits we are really doing some exciting stuff. Overall it is getting better and better I hope we can continue to raise the bar with each online session. I would encourage each of you to try to attend one or more in the future as in future as the opportunity for direct interaction iis always best.
Please post a combined response to the lecture as well as the reading (PDF) that was sent, yes you had to read it.
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